Mangione: The Story Behind the Story by John H Richardson – Understanding a Criminal?
On the fifth of December 2024, a leading publication published the headline “Insurance CEO Gunned Down In Manhattan”. The article then noted that Brian Thompson was “fatally wounded from behind in Midtown Manhattan by a assailant who then calmly departed the scene”. The daytime killing was indeed both chilling and disturbing. But numerous US citizens reacted differently: for those who faced insurance rejections or struggled with medical bills, the news felt like a release. Social media blew up. One post stated: “All jokes aside … no one here is the judge of who should live or perish. That’s the job of the artificial intelligence system the insurance company designed to increase earnings on your health.”
Five days later, Luigi Mangione, a good-looking, 26-year-old University of Pennsylvania alumnus with a graduate degree in computing, was apprehended at a McDonald’s in Altoona, Pennsylvania. He awaits trial on federal and state charges of murder, with prosecutors seeking the death penalty. So who is Mangione? And what might have motivated the alleged crime? These are the questions John H Richardson seeks to resolve in an investigation that explores broader themes, too.
The Making of a Subject
A writer for a major publication, Richardson devoted considerable time to studying the groups that exist in the hidden parts of the internet, writing stories about people “cursed with realistic fears about an apocalyptic future”. To reveal “the making” of his subject, Richardson first examines Mangione’s wide-ranging book list. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on a reading platform”. Their subject matter ranged from climate change to masculinity, along with a “emphasis on his own personal growth, both body and mind”. Additionally, Richardson analyzes his communications with influencers and authors as well as his many posts on social media. These primary sources, intended to depict a picture of Mangione, instead present him as an unclear character. Richardson tries to justify this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson tries to frame his subject in symbolic roles.
Mangione is profoundly worried about the world around him, one where ‘change is rapid whether we like it or not’
The Meaning Behind the Crime
As for “the meaning” of the title, Richardson uses as a clue three words – “delay”, “deny” and “depose”, etched on the ammunition left behind at the crime scene. These are the terms occasionally employed by health insurance companies to deny coverage. He looks at the indication Mangione suffered from a chronic back condition, which might have provided motive for an attack, but discovers no confirmation; instead, what meaning there is seems to rest in Mangione’s philosophical dread about the world around him, one where “everything is accelerating whether we like it or not, sliding faster and faster to the edge”; a world where the consensus seems to be that AI is going to eventually either dominate, or destroy us, or both.
Gaps in the Narrative
Notably missing from the book are conversations with the principal actors. Richardson made requests, but did not anticipate access to Mangione himself. And his family stated explicitly that they had decided against speaking to the press in advance of the trial. Another glaring gap is any detailed data about the victim, Thompson, though we learn that under his guidance, from 2021 to 2023, company earnings increased by 33%.
Unclear Conclusions
By book’s end, the audience has no clear understanding of Mangione’s character or what might have motivated his alleged crimes. More troubling, Richardson’s apparent empathy for him gives the reader the disturbing feeling of having been privy to a subtle approval of an targeted killing. In the book’s closing remarks, Richardson delivers his mythical interpretation: “We’ve entered a time of fables, the mad king, the monster in the maze and the naked leader.” In that tale “outlaw heroes come with a appealing vow … They arrive in periods of unrest, when the population is in pain and everything is confusing anymore.”
One thing is clear: as Mangione’s defence team continues in its attempts have charges that could lead to the ultimate sentence dismissed, any reference of myths, Robin Hoods, champions or monsters will not be allowed in court in support for this handsome young man with a “jawline … and lips … out of a Caravaggio painting” soon to be on trial for murder.